Methodological Reading of Theoretical Models
A Look on The Art Theories
DOI:
https://doi.org/10.24215/24516643e039Keywords:
Methodology, Art theories, AestheticsAbstract
In this work I will resume some questions from my doctoral thesis -about research in the field of art, from its methodological dimension-, as in the interaction with the inter-department I+D research project of which I am part -The performative turn in the visual arts. About bodies, spaces and objects put into action-. I will focus on analyzing some theoretical developments of Aesthetics and Art Theories, in order to be able to read traces of orientations and methodological tools. Where ways of questioning and problematizing the field are introduced, suggested positions for the artist and/or researcher and/or performer; as well as strategies for an empirical approach.References
Benjamin, W. ([1934] 1999). El autor como productor. Iluminaciones III. Tentativas sobre Brecht. Taurus.
Brea, J.L. (2006). Estética, Historia del Arte, Estudios Visuales. Estudios Visuales (3), 7-25.
Groys, B. (2015). Volverse público. Transformaciones del arte en el ágora contemporáneo. Caja Negra.
Groys, B. (2008). La topología del arte contemporáneo. http:/lapizynube.blogspot.com el 01/09/2020
Guasch, A.M. (2003). Los Estudios Visuales. Un estado de la cuestión. Estudios Visuales (1), 9-16.
Mignolo, W. (2010). Aiesthesis decolonial. Calle 14 (4), 10-25.
Moxey, K. (2016). Los estudios visuales y el giro icónico. Estudios visuales (6), 8-23.
Richard, N. (1989). La estratificación de los márgenes. Zegers.
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