Dos polos opuestos
Representaciones en la idolatría de la técnica
Keywords:
Cine nacional, ritmo interno, plano secuencia, polaridad, actuación, guionAbstract
En este texto propongo una lectura reflexiva a partir de la producción de La idolatría de la técnica (2020), largometraje de ficción que realicé como Trabajo de Graduación para la Licenciatura en Artes Audiovisuales (orientación Realización), de la Facultad de Artes (FDA), Universidad Nacional de La Plata (UNLP). El eje del escrito buscará dar cuenta de dos elementos puestos en tensión constante a lo largo del film, bajo la oposición ideológica entre naturaleza y técnica, encarnada tanto desde la caracterización de lxs personajes como desde la puesta en forma audiovisual.References
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