Poetics of Saying
Textuality and Presence in the Works of Ana Gallardo
DOI:
https://doi.org/10.24215/24516643e027Keywords:
Contemporary art, testimony, biography, writing strategies, performative turnAbstract
This article analyses the strategies that the argentinian artist Ana Gallardo implements in relation to the use of biographical testimony as a poetic device. To that end, I will analyse two artworks which ascribe to this methodology and recognize an inscription in processes of production which involve writing strategies (Baeza, 2013), where the word is also used as plastic-art material, which operates within a double dimension of content-formReferences
Alcázar, J. (2014). Performance: un arte del yo. Autobiografía, cuerpo e identidad. Ciudad de México, México: Siglo Veintiuno.
Baeza, F. (2013). Escrituras de la vida cotidiana. Caiana. Revista de Historia del arte y Cultura Visual del Centro Argentino de Investigadores de Arte (CAIA), (2). Recuperado de http://caiana.caia.org.ar/resources/uploads/2-pdf/FedericoBaeza.pdf
Cornago, Ó. (2015). Sobre el mito de la acción y las acciones mínimas. En J. Albarrán e I. Estella (Eds.), Llámalo performance: historia, disciplina y recepción (pp. 141-186). Madrid, España: Brumaria.
Gallardo, A. (2015). Ana Gallardo. Un lugar para vivir cuando seamos viejos / Entrevistada por Gabriela Cabezón Cámara [Catálogo de la exposición]. Ciudad Autónoma de Buenos Aires, Argentina: Ministerio de Cultura del Gobierno de la Ciudad, Museo de Arte Moderno de Buenos Aires.
Goldsmith, K. (2015). Escritura no creativa. Gestionando el lenguaje en la era digital. Ciudad Autónoma de Buenos Aires, Argentina: Caja Negra.
Hang, B. y Muñoz, A. (2019). El tiempo es lo único que tenemos. Actualidad de las artes performativas. Ciudad Autónoma de Buenos Aires, Argentina: Caja Negra. Rivero, N. (24 de noviembre de 2018). El «negro absoluto» de Ana Gallardo. La Nación. Recuperado de https://www.lanacion.com.ar/cultura/el-negro-absoluto-ana-gallardo-nid2196017/
Valesini, M. S. y Valent, G. (2020). Muerte y renacimiento de una imagen: Óscar Muñoz y el giro performativo en las artes visuales. En De «A peste» o «Estrangeiro» ou as Arte em 2020: Atas do xi Congresso Internacional CSO, Criadores Sobre outras Obras (pp. 1311-1318). Lisboa, Portugal: Centro de Investigação e Estudos de Belas-Artes (CIEBA); Faculdade de Belas-Artes, Universidade de Lisboa. Recuperado de http://cso.belasartes.ulisboa.pt/atas.htm
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