The Essay as Form
Four Books, Godard and an Installation
Keywords:
Artist Book, installation essay, montage, GodardAbstract
This text arises from the reflection on «The books of Godard. The artist's book as an essay» —thesis for Bachelor's Degree in Plastic Arts—, which was part of the exhibition «Fresh Ink» at the University Center of Art of La Plata, in August 2019. It consisted of four artist books that, from the film Historie(s) du cinéma (1988-1998), by Jean-Luc Godard (1930), stressed the languages activating possible dialogues between the plastic arts and the cinema.References
Didi-Huberman, G. (2011). La exposición como máquina de guerra. Minerva, (16). Recuperado de https://www.circulobellasartes.com/revistaminerva/articulo.php?id=449
Fernández Polanco, A. (2013). Escribir desde el montaje. Otra forma de exponer. En S. Blasco (Ed.), Investigación artística y universidad: materiales para un debate (pp. 105-115). Madrid, España: Ediciones asimétricas y Universidad Complutense de Madrid.
Fernández Polanco, A. (2015). Lectores de signos, lectores de guiños: el ensayo curatorial como forma. Estudios curatoriales, (3). Recuperado de https://revistas.untref.edu.ar/index.php/rec/article/view/685
Gaumont, Canal+, La Sept, France 3 (FR3), JLG Films, CNC, TélévisionSuisse-Romande (TSR), Vega Film (Productores) y Jean-LucGodard (Director). (1988-1998). Histoire(s) du cinéma [Película]. Disponible en https://www.dailymotion.com/video/x206cg7
Hang, B. y Muñoz, A. (Comps.). (2019). El tiempo es lo único que tenemos. Actualidad de las artes performativas. Ciudad Autónoma de Buenos Aires, Argentina: Caja Negra.
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