The Country Brand Argentina. Sign, Symbol or Metaphor?
DOI:
https://doi.org/10.24215/25249703e005Keywords:
Country brand, sign, symbol, metaphor, brandingAbstract
This article aims to address the concept of a country brand based on a formal and conceptual analysis of the Argentine brand used between 2012 and 2018. It is proposed to study the brand as an image, taking into account its form, space and time, without providing finished definitions but enabling perspectives that problematize the different existing classifications.Downloads
References
Biord Castillo, R. (1996). Del signo al símbolo. Anthropos: publicación del Instituto Superior Salesiano de Filosofía y Educación, (32-33), 21-44.
Chateau, J. (1976). Las fuentes de lo imaginario. Ciudad de México, México: Fondo de Cultura Económica.
Chaves, N. (2011). La marca país en América Latina: bases teóricas y técnicas del diseño de la marca-país y auditoría gráfica de veinte emblemas de países latinoamericanos. Ciudad Autónoma de Buenos Aires, Argentina: La Crujía.
Chaves, N. (2005). La imagen corporativa. Teoría y práctica de la identificación institucional. Ciudad Autónoma de Buenos Aires, Argentina: Gustavo Gili.
Ciafardo, M. y Belinche, D. (2015). El espacio y el arte. Metal, (1), 32-53. Recuperado de http://sedici.unlp.edu.ar/handle/10915/49545
Ciafardo, M. (2010). Glosario de figuras retóricas (Apunte de cátedra). Lenguaje Visual 2B, Facultad de Bellas Artes, Universidad Nacional de La Plata, La Plata, Argentina. Recuperado de https://docs.wixstatic.com/ugd/1415a9_0723468b84cd48daa-62852d0efe76cf3.pdf
Costa, J. (1994). Imagen global: evolución del diseño de identidad. Barcelona, España: CEAC.
Instituto de Cultura del Centro Universitario de Estudios. (s. f.). Reseña «Alta en el cielo. Vida y obra de Héctor Panizza» de De Filippiy Varacalli Costas. Recuperado de https://institutodecultura.cudes.org.ar/articulo/resena-alta-en-el-cielo-vida-y-obra-de-hectorpanizza-de-de-filippi-y-varacalli-costas/
Eco, U. (1987). Los límites de la interpretación. Barcelona, España: Lumen.
Galeano, E. (1998). Patas arriba. La escuela del mundo al revés. Ciudad Autónoma de Buenos Aires, Argentina: Catálogos.
Klein, N. (1999). No logo. Barcelona, España: Paidós.
Panizza, H. (Compositor), Illica, L. y Quesada, H. C. (Letra). (1908). Aurora [Ópera]. Ciudad Autónoma de Buenos Aires, Argentina: Teatro Colón.
Pierce, C. S. (1974). La ciencia de la semiótica. Ciudad Autónoma de Buenos Aires, Argentina: Nueva Visión.
Télam. (5 de abril de 2016). Macri: «Necesitamos volver al mundo y ser parte de la cadena global de producción» [Archivo de video]. Disponible en https://www.youtube.com/watch?v=bseXSRCAhO0
Torres García, J. [1935] (1944). Universalismo constructivo. Ciudad Autónoma de Buenos Aires, Argentina: Poseidón.
Downloads
Published
How to Cite
Issue
Section
License
The acceptance of the manuscript by the magazine means the non-exclusive cession of the property rights of the authors in favour of the editor, who allows the reuse, after publication (post print), under a license Attribution-NonCommercial-NoDerivatives 4.0 International.
According to these terms, the material can be copied and redistributed by any means or in any format as long as a) the author and original source of the publication are quoted (magazine and URL of the work), access to the license is provided and whether changes have been made is mentioned; and b) the material is not used for commercial purposes.
The cession of non-exclusive rights means that after the publication (post print) in Bold the authors can publish their work in any language, means and format; in such cases it must be mentioned that the material was originally published in this magazine. Such cession also means the authorization of the authors for the work to be collected by SEDICI, the institutional archive of the Universidad Nacional de La Plata, and to be spread in the databases that the editorial team considers appropriate to increase the visibility of the publication and its authors.
Moreover, the magazine encourages the authors to deposit their productions in other institutional and thematic archives under the principle that offering the society the scientific and academic production without any restrictions contributes to a greater exchange of the global knowledge.