performance audiovisual, performance de la mirada. Dos films de Oscar Bony

Authors

  • Malena Di Bastiano Facultad de Bellas Artes Universidad Nacional de La Plata

Keywords:

Performance audiovisual, Oscar Bony, imagen técnica, mirada

Abstract

En torno al análisis de dos obras de Oscar Bony, de 1966, el artículo propone introducir y abordar de manera desdoblada la idea de performance audiovisual como resultado particular de un encuentro y acción conjunta que se produce entre el cuerpo y el dispositivo técnico, atendiendo al mismo tiempo a lo que se genera ante (y con) la cámara en la situación de registro y a la experiencia consecuente que, a modo de correlato, la imagen resultante suscita en el espectador. Creemos ver en estos casos que se busca activar y promover una postura crítica al modo de producción capitalista perceptual de la imagen, a una cierta idea de economía visual, del uso del deseo y su régimen de satisfacción espectacular.

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Published

2017-09-29

How to Cite

Di Bastiano, M. (2017). performance audiovisual, performance de la mirada. Dos films de Oscar Bony. Arkadin, (6), 76–84. Retrieved from https://papelcosido.fba.unlp.edu.ar/ojs/index.php/arkadin/article/view/441

Issue

No. 6 (2017): Arkadin 6

Section

Tema central

License

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