Malena Di Bastiano
malenadibastiano@yahoo.com.ar
Instituto de Investigación en Producción
y Enseñanza del Arte Argentino
y Latinoamericano (IPEAL)
Facultad de Bellas Artes
Universidad Nacional de La Plata
Argentina
Abstract
This brief article presents a reflection on how to see cinematography within the museum from a redefinition of each of these fields, paying attention to their concrete implications that arise from the revision of the curatorial proposal and the ideas of Dominique Païni, ex director of the Centre national d'art et de culture Georges-Pompidou.
Key words
Cinematography, museum, exposition, curatory